At first glance, Huxley's wit and style are undeniable, but a closer look reveals a range of possible associations, as in a dream. The larger faces and dark backgrounds in his earlier work, evoking Nolde and Kokoschka, have been replaced by suggestions of bodies crowded together but always in restless movement.

People have seen playgrounds, deserts, skating rinks, football pitches, even firing squads among his many scenes, but Huxley himself disdains specific interpretations or particular responses. more >>